Last month, the 1000th photo by PhotoCosma got accepted on Stocksy United. The collection keeps growing every month and I’m really happy about the quality and variety of them. Here are also the top 5 images from last month – December 2018:
Hello everyone, it’s time for the Stocky Top 5 of the Month – number 23! This time it’s about the seasons changing from autumn to winter. A bit more late than usual, but here are my top Stocksy United picks for November 2018:
I was away for some time and realized that the month is almost over and I haven’t posted the last month’s Stocksy top 5. Even though it’s really late this month, I had to do it as it has some great images. Either one of this images would also look great as a print:
I’m back with another Stocksy United Top 5 of the Month – the April edition. This time it’s about mysterious dark lakes in the forest, spring pastures with trees in bloom, gorgeous autumn mountain sunsets, creepy crawlers and night photos of river under the stars. I’ve also had some photos added to the curated feed lately, more that in the past. It’s great that Stocksy is finally expanding its vision into promoting dark, ethereal, mysterious images. Here is my Top 5 for April 2018:
It’s been a while since I’ve updated this blog, I guess I’m still trying to figure out what direction it should take. The Stocksy Top 5 of the Month is a section that gets a lot of attention and some of my best photos are available for licensing at Stocksy United, so I’m definitely going to continue this section, even though I’ll most likely be a little late, like this month, because we’re already pass the middle of April.
About 20 photos were added to my Stocksy collection of premium stock photography so it was really hard narrowing them down to only 5. I’ve chosen a bit of everything: strange night forest photography, symmetry on moody empty fields, surreal cave photography, misty spring morning landscapes and a strange forest detail. Here are my Top 5:
This winter wasn’t particularly rich in snow or very cold for that matter. There were a few photo opportunities but with snow only lasting a couple of days at a time, we had to plan everything really well. It was also the case with our last trip, one close to home but higher in altitude. The day before it was raining heavily and we kept watching the forecast as well as the weather outside. At night the rain turned to a heavy snow storm. By morning everything was covered with a thick layer of snow. The roads were bad but we managed to get up in the forest mountain not far from home, now covered in snow and fog.
The higher we went, the thicker the fog became. We kept going through the fog and it started snowing again. The blizzard had knocked down a lot of giant old trees and there was a strange sense of danger lurking through the snow covered forest. Later into the day we reached a clearing near the top of the mountain just as light began to fall and everything was turning blue. The gentle hum of the wind in the trees was the only sound we could hear and the atmosphere was really heavy. No human in sight other than us, no man-made sound, everything seemed so far away and muted. It was almost like we were hearing some sort of white noise. Lonely trees with strange shapes grew out of the snow like antennas to the sky getting lost in the fog. Everything was overwhelming. Got as many images as we could before the light started to fall. When out photographing it is easy to get lost in time, but as the night drew closer we had to get back on lower grounds and back into this world.
For the next couple of days after something surreal and intense like this, everything seems to be at a lower volume and running at a slower speed for me. Maybe this is the consequence of visiting another world. I hope the gate opens again soon.
This autumn has given us a lot of good images. The idea was simple: wake up early in the morning, drive until the roads vanished then set off on foot and hope for the best. We chose days that had changing conditions – rain, sun, clouds so that we could get most out of the day. And it paid off well.
I have chosen “Mountain Peak in Autumn” as part of the top 5 of the month in October so you know it’s a favorite of mine. I really like the contrast between the warm colors of the trees and the cold tinlike colors of the mountain and sky.
This wasn’t an easy image to get. Me and my brother climbed for about 4 hours through a beautiful forest on a steep slope, stopping from time to time but being unable to see much. After finally getting out of the woods one of the first sights was this one, blowing me away. The sun was playing through the clouds so I waited for it to shine a bit on the trees and the cliff that was nearer, but not too much to have harsh shadows. The waiting game was the hardest part because I knew we had more to climb that day, but I knew it was worth it so we remained in that spot until the conditions were just right.
I used my 70-300 mm lens at 92mm and an aperture of f/8 because there was enough light around and I know this particular lens produces the best results at this aperture, with an exposure of 1/250 seconds @ISO 100.
I love that this image “grabs” a piece of that day – the colors, the changing conditions, the giant cliffs and the overall mood of the place. I’m always amazed by this place, the sheer size of it and could spend days just watching the light moving over the cliffs, always changing the landscape.
The month of August was really prolific in terms of accepted images on Stocksy – 28 of them got added to the Stocksy collection and it was really hard to choose only five of them. I did it in the end, and I hope you like them as much as I do. These are my Stocksy top 5 picks for the month of August:
This photo of wild horses on a green meadow is one of my favorite spring images. It stuck trough the years and when I think about spring photos that I have in my portfolio this image always comes to my mind.
It’s taken some years ago in 2010. It was taking at the end of a day with no extraordinary conditions for photography when we were about to call it quits. We were following a herd of horses and didn’t have much luck getting close. The clouds were covering the sky and rain was approaching but as we got to a hilltop a ray of light from the setting sun started shining over the meadow and was casting beautiful long shadows of horses and trees. The silhouettes of the horses give a sense of the grand scale of the landscape. The soft light gave that fantasy landscape aesthetic that I always search for, a fine art aesthetic. I used a tele lens at 90 mm and a 1/320 shutter speed with f4,5 because I was shooting handheld due to the fact that the conditions were rapidly changing and didn’t have time to set up a tripod.
It was a cold December day when the weather kept changing every minute. The few inches of snow made the climb harder, but once we reached the top all was worth it. A cold wind began to blow and the clouds covered the sun again. Thick mist started rolling down from the mountains and pouring everywhere. The landscape was changing right before our eyes.
The endless pine forests were engulfed by the mist and only a few rays of light managed to break trough to them. The whole landscape got a mysterious eerie beauty that was accentuated by the fact that there was no human being in sight for miles. We could really feel lost in the enormity of the landscape.
The only sound was the one of the cold wind blowing. The rush and background noise of everyday life vanishes is replaced by a calmness that you can’t find anywhere else. It always amazes me how the mist has the capacity to transform a landscape so fast and make it almost timeless. It’s this kind of mood and atmosphere, that feeling of being lost that I (and we at PhotoCosma) try to capture and transmit trough images.
I used a 300 mm tele lens to capture what was happening around me. I was so excited of what I was seeing that I realized a lot of the shots will come out blurry so I used a tripod. It proved to be a good decision as the light was scarce. The mist kept moving and transforming so I had a lot to photograph, but as the night approached I knew we still had a long way to go back again so I stopped and stared for a few minutes. The cold, the tiredness, the fact that we would have to walk a long way trough the dark – nothing mattered. Everything was perfect.