It’s time for the Stocksy United Top 5 of the month – January 2018 edition. I’ve had a hard time choosing between 23 new accepted images that were added to my exclusive Stocksy United collection. There are some surreal landscapes (something in which I have a lot of interest in lately) and abstract winter details. One of the winter details –Abstract winter texture background was also added to the curated feed by the Stocksy editors. Here are My Stocksy top 5 for the last month:
So this is it for this top, but join us again next month for another top5 and in the coming days for something new and interesting we’ve been working on.
Waterfall in wild fantasy valley with magical light
A couple of days ago I was editing the photo above and I wanted to give it a magical look to make the viewer “feel” as much of what I have felt the moment I took this photo. I also remembered about the whole “purists” vs “editors” war with some going as far as saying that the goal of editing a photo is to make an image look as if it hasn’t been edited.
For me this is not true. I edit my photos to make them have a special atmosphere or to make them transmit something more accurate to what I felt or had in mind when I took the photo.
It’s not that the camera doesn’t render correctly what I see, but there are a lot of other stimuli (like the wind blowing, the sound of water, the sweet smell of the vegetation in the air, etc) that don’t get trough the camera. I use post editing to make an image more vivid or to make its atmosphere a certain way. I know that some might say that the image becomes something “unreal”, but an enhancement of certain features in an image makes it more real and closer to what I saw and felt that moment.
I remember that when I took this photo I wanted to have as much as possible in focus, on the whole length of the waterfall and river that makes the eye travel trough the whole frame, from the rocks in the foreground up to the sunspot above. A dog that stayed with us that whole day stayed still for a couple of seconds, just enough to appear in the frame so I felt that it’s a nice touch to give the photo a sense of greatness. I used a 5 seconds exposure time at ISO 100 to emphasize the flowing of the river and f/11 aperture to have everything in focus. When editing it I added a subtle glow and made the rocks a bit more cold in color temperature and the sunspot above a little bit warmer to replicate the contrast between the dark cold valley and the sun shining above. It made the whole scene closer to what I wanted it to be, to what I saw and felt that day. Hope you enjoy the image. I also made it available on my Stocksy United portfolio under the “Wild fairy tale landscape with waterfall in the woods” name.
For me editing means getting access to a digital darkroom. The process is really not that different to what the great masters of photography were doing back in the days.
It seems to me like the last places where you could feel truly remote and hidden from the outside world remain these mountain valleys that are only accessible by actually going up trough the water and wet rock. The sun only shines on small parts of them because of the steep cliffs and so a perfect fantasy eerie atmosphere is created. This is even more so in the evening when the light falls fast and you have to get back to the outside world before the darkness. I remember being careful not to slip on the rocks and lifting my eyes just for a second and seeing the beautiful light and reflections of the warm light shining just for a couple of moments in the dark cold valley.
I was fortunate enough to have the time to capture this image, and it truly reflects the feelings of awe that I had when seeing such great beauty. I then rushed back to the outside world with the darkness behind me engulfing everything, the only light I saw being the hazy reflection of the autumn sky in the cold water. It’s a feeling that stayed with me.
There are a lot of hidden valleys that are still unexplored near the place that I live. I often go trough these wild valleys in search of natural wonders and inspiration, and there isn’t a single time I come back without finding something really interesting and worth photographing. You can’t access these places with any kind of transportation, there isn’t any cell phone signal and even GPS signal because of the huge steep cliffs that border the various valleys, so these places feel really remote and wild. Because of this isolation, they have managed to remain pretty much uncharted. It is always a relief to explore such places.
This is a photo take on the same tour as the macro shot here. The river that shaped these rocks and formed beautiful steep gorges still flows today and has a permanent stream of water, so advancing is really difficult. There are also fallen trees and branches that are obstructing the way, not to mention the narrow path that someone exploring this place has to follow. I remember that the first time I was there I really wanted to go further and see new wonders awaiting me around the corner, but the water was just too high so I had to call it a day. I returned many times and every time I managed to go a bit further than the last time, finding some of the most giant caves and some of the most beautiful gorges I have ever seen. Sometimes it’s difficult to come back in one piece, and I have found myself stranded on narrow steep pieces of land because of the rain, but nothing beats the feeling of discovering new things even after years of exploration.
The photo above was taken on an autumn day, the leaves not quite fallen from the trees. The human figure you see is my brother, with whom I was in quite a few risky situations due to our desire to uncover the secrets of this valley. I needed a human silhouette so the viewer would get a feeling of the size of the cliffs, so I told him to go forward and used an ultra-wide angle lens to capture this shot. I used a f 11 aperture to have everything in focus, and the shortest shutter speed that the light and my lens allowed. This kind of photos are usually used for environmental campaigns and also – like many of my photos – for horror movies posters. I think it has something to do with the unknown, the mystery of such photos, because they give a sense that you don’t know what may come after the next corner. I really like this feeling too, so I will be taking and posting more images from this place in the future. The “hidden valley” series is always expanding.
PhotoCosma 